When moving on to the next scene, which may feature a synth bassline, the artist will trigger the scene, activating the clips for that scene. For instance a drum, bass and guitar track might comprise a single scene. These clips can be arranged into scenes which can then be triggered as a unit. The Session View offers a grid-based representation of all of the Clips in a Live Set. MIDI triggers notes on Live's built in instruments, as well as third party VST instruments or external hardware. triggered) or played back in a pre-arranged order. Live utilizes audio sample or MIDI sequences, referred to as Clips, which are arranged to be played live (i.e. Live's user interface is composed of two 'Views' – the Arrangement View and the Session View. Live itself was not prototyped in Max, although most of the audio devices were. They released the first version of Live on Octoas commercial software. WAV, AIFF, MP3, Ogg Vorbis, FLAC file supportĪ technology that keeps instances of Live and a growing collection of iOS apps in time over a wireless network.Ĭombine multiple instruments and effects into a single device, allowing for split and layered sounds with customized Macro controlsĬombine MIDI effects into a single device, allowing for customized MIDI processing chains with simple Macro controlsĪn instrument for layering samples, synths and effects in a classic 16-pad gridĪdvanced algorithms for stretching audio, ideal for working with mixed audio or full tracks.Ī set of templates that lets you adjust the timing and “feel” of sequences or make your own by extracting timing from existing audio material.Ableton co-founders Gerhard Behles, Robert Henke, and Bernd Roggendorf developed Live from homemade software that Behles and Henke had created to facilitate their live music performances as Monolake. Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow.
Recall your best ideas after you’ve played them – Capture MIDI can turn what you played into MIDI clips, without having to think about recording.
Use multiple levels of groups to mix with greater flexibility and manage detailed arrangements more easily.Īdd bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily. Powerful MIDI sequencing of software and hardware instrumentsĪdvanced warping and real-time time-stretching Multitrack recording up to 32-bit/192 kHz Nondestructive editing with unlimited undo Unique Session View for quick, intuitive composition, flexible performance and improvisation
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